๐๐ฅ๐ฏ๐ฌ๐ฒ๐ค๐ฅ ๐ฏ๐ข๐ฐ๐ข๐๐ฏ๐ ๐ฅ ๐๐ซ๐ก ๐ข๐ต๐ญ๐ข๐ฏ๐ฆ๐ช๐ข๐ซ๐ฑ๐๐ฑ๐ฆ๐ฌ๐ซ ๐ด๐ฆ๐ฑ๐ฅ ๐ญ๐ฏ๐ฆ๐ฐ๐ช๐ฐ, ๐๐ข๐ฐ๐ฉ๐ข๐ถ ๐ ๐ฒ๐ฉ๐ฉ ๐ฅ๐๐ฐ ๐ฐ๐ฌ๐ฒ๐ค๐ฅ๐ฑ ๐ฑ๐ฌ ๐ฒ๐ซ๐ ๐ฌ๐ณ๐ข๐ฏ ๐ฑ๐ฅ๐ฆ๐ฐ ๐ซ๐๐ฑ๐ฒ๐ฏ๐๐ฉ ๐ญ๐ฅ๐ข๐ซ๐ฌ๐ช๐ข๐ซ๐ฌ๐ซ ๐๐ซ๐ก ๐ฏ๐ข๐ ๐ฏ๐ข๐๐ฑ๐ข ๐ฆ๐ฑ๐ฐ ๐ข๐ญ๐ฅ๐ข๐ช๐ข๐ฏ๐๐ฉ ๐ฎ๐ฒ๐๐ฉ๐ฆ๐ฑ๐ฆ๐ข๐ฐ ๐ฆ๐ซ ๐๐ซ ๐๐ฏ๐ฑ๐ฆ๐ฃ๐ฆ๐ ๐ฆ๐๐ฉ ๐ฏ๐ข๐๐ฉ๐ช ๐ฆ๐ซ ‘๐๐ฏ๐ฆ๐ฐ๐ช๐ฐ๐ ๐ฌ๐ญ๐ข”. โ๐ซ ๐ฑ๐ฅ๐ข ๐ค๐๐ฉ๐ฉ๐ข๐ฏ๐ถ, ๐ฉ๐ฆ๐ค๐ฅ๐ฑ ๐ญ๐๐ฐ๐ฐ๐ข๐ฐ ๐ฑ๐ฅ๐ฏ๐ฌ๐ฒ๐ค๐ฅ ๐ฑ๐ฅ๐ข ๐๐ข๐ณ๐ข๐ฉ๐ข๐ก ๐ค๐ฉ๐๐ฐ๐ฐ ๐ฌ๐๐ง๐ข๐ ๐ฑ ๐ฑ๐ฌ ๐ ๐ฏ๐ข๐๐ฑ๐ข ๐ ๐ฏ๐๐ฆ๐ซ๐๐ฌ๐ด, ๐ฐ๐ญ๐ฆ๐ฉ๐ฉ๐ฆ๐ซ๐ค ๐ฌ๐ฒ๐ฑ ๐๐ข๐ถ๐ฌ๐ซ๐ก ๐ฑ๐ฅ๐ข ๐ฃ๐ฏ๐๐ช๐ข ๐ฑ๐ฌ ๐ฒ๐ฐ, ๐ฌ๐ฃ๐ฃ๐ข๐ฏ๐ฆ๐ซ๐ค ๐ฑ๐ฅ๐ข ๐ณ๐ฆ๐ข๐ด๐ข๐ฏ ๐ฑ๐ฅ๐ข ๐ข๐ต๐ญ๐ข๐ฏ๐ฆ๐ข๐ซ๐ ๐ข ๐ฌ๐ฃ ๐ฑ๐ฅ๐ฆ๐ฐ ๐ณ๐ฆ๐ฐ๐ฒ๐๐ฉ ๐ด๐ฌ๐ซ๐ก๐ข๐ฏ ๐ฑ๐ฅ๐ฏ๐ฌ๐ฒ๐ค๐ฅ ๐ฐ๐ฆ๐ช๐ฒ๐ฉ๐๐ฑ๐ข๐ก ๐ช๐ข๐๐ซ๐ฐ.
Cymatics represents a sound box that intakes sound and translates the intersection of music and physics to surpass sensory boundaries. The complexity of the music is represented by the particles that dance with musical vibrations, which serve as a medium to translate audible experience to a visual experience.
Virtual Vegetation visualizes the disparity in digital accessibility across select U.S. cities. One central data-set is used to generate each plant, and variables such as climate, materiality, and urban landscape inform the digital environment representing each location.The generated plantsโ growth and movement are then simulated for a final visual output.
The Topographic Pin Generator translates two – dimensional topographic maps into three – dimensional landscapes, inspired by the Pin Art Toy created by Ward Fleming in the year 1987. The machine creates three – dimensional reliefs of topographical information by using an array of pins that move on the z-axis, based on the height information of recorded topographical maps.
Soften Your Untouch reckons with extreme isolation experienced during the pandemic. Time became distorted and everlasting, touch was stigmatized, and our connection with others was dramatically altered. In this project, Althemia Marsland investigates cooking bioplastic forms with thermochromic properties as a way to reconnect. The bioplastics record a visual demonstration of time through an exploration of touch. The human body temperature activates the thermochromic pigments recording touch as a time-based action. Althemia then molded the bioplastics into a meal placemat, to reference their key experience of connecting through cooking during the pandemic.
Is the human body a machine? Love of Labor utilizes the body working in tandem with a decades-old printing press, pushing the boundaries of what both are capable of. Amongst the repetition, a uniqueness emerges in the printed characters, each subject to influences of human, machine, and environmental factors.
Irregular Manufacturing explores the power dynamic between machine and its designer through an imprecise machine built to turn singular input into varied output. This form finding system is designed to make mistakes and change each time the code is run, relinquishing the details of the final structure to the machineโs choices.
Object of My Affection invites the viewer to interact with their phones in playful new ways. Through speculative phone prosthetics the phone becomes a site of material imagination, a speculative and theatrical prosthetic. The phone touches back, undrawing the boundaries between self and other.
Entangle is an experimental research and design exploration of knitting, arising from its common perception as an outdated, gendered symbol of domesticity. The project challenges the traditional perceptions of knitting by experimenting with alternative materials and using visual storytelling to educate and imagine the role of knitting in sustainable, speculative futures.
Portable Analog Audio Archive (PAAA) uses the analog technology of cassette tapes as method and metaphor to interpret memories. By restricting the sound archive to analog tapes, PAAA facilitates intimacy and nostalgia while mimicking the real-lifeโsometimes haphazardโexperience of remembering. Recorded fragments can be rewound and replayed over and over again.
Thereโs an intrinsic connection between two separate beings or objects of the same nature. This piece plays with the line between human and object interaction, so the relationship between both becomes a two way emotional exchange.
To get a reaction, reach for both hands at the same time.
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International Collective Project with WDKA and ST LUCAS ANTWERPEN Driving Questions:These were the main driving questions we asked ourselves during…
My group, Group 1 aka the Spicy Girls created โWaves of Meeting.โ created a handheld device called that drop that…
Can we communicate the complex experience of presence and absence, nearness and distance that is a feature of embodied existence…
CONGJIA JIN, GD MFA 2020 Congjia Jin, a research-oriented designer who embraces graphic design, strategy and technology. Her practice focuses…
This project is a recreation and interpretation of Iannis Xenakisโs stochastic synthesis model as proposed in Formalized Music and featured…
Singaporeโs endeavor to reclaim land is paradoxical: it occupies large areas of existing land to store sand for more land to be made, creating sand โmountains,โ incongruous to, yet surreal in, Singaporeโs landscape. Sand Reserve Museum is a speculative museum showcasing these sand โmountainsโ as beautiful works of nature to the public.
An Ontology Dinner is an offering to our ancestral and future environment captured through a cyclical, non-hierarchical system, creating new food myths to provide a contemplative mirror to view the ways in which humans and non-humans are entangled and imagine a symbiotic future world.
put your 50 word project sttement here
put your 50 word project sttement here
put your 50 word project sttement here
Iโve started a doomed effort to create a situation exploring the relationship between art and intent, and how I can escape the responsibilities of intentional art. This project canโt succeed because I canโt actually remove my intent, but creating a flash that fires randomly (to capture attempted flight) is how Iโll mitigate it.
Can you manufacture love for an object? Affinity aims to test this question by presenting the viewer with a synthetic version of the beginning of a relationship with an object. By concentrating the key experiences of meeting an object one could love, the relationship could be accelerated – and in turn manufactured.
In Sound Bath for News, Anjali Nair focuses on the recent amplification of the aural, tonal and visual volume of primetime news in India that can only be described as outfoxing the Fox. Anjali explores the use of a sound bath, a westernized version of a meditation technique using Himalayan singing bowls, to calm the news.